Jazz_On_Campus_Dec_credit_Rosen-JonesPhotography.jpg

Oberlin vocal instructor La Tanya Hall (foreground) and student Diana Gruber (on monitor) meet in two “real-time” rooms.

(Photo: Rosen-Jones Photography)

Oberlin Emphasizes Safety

What Does on-campus instruction look like and feel like during the pandemic? As students across the nation headed back to campus for the fall semester, DownBeat decided to check…


What To Stream This Week



https://downbeat.com/images/reviews/ancestors.jpg

Shabaka And The Ancestors

We Are Sent Here By History
(Impulse)


Steph Richards
SUPERSENSE
(Northern Spy)


Miguel Alvarado
Idile
(Ear Up)


Josephine Davies’ Satori
How Can We Wake?
(Whirlwind)


https://downbeat.com/images/reviews/Shemekia_Copeland_Uncivil_War.jpeg

Shemekia Copeland

Uncivil War
(Alligator)

Hypnotic Brass Ensemble
Bad Boys Of Jazz
(Self Release)

Juliet Kurtzman & Pete Malinverni
Candlelight—Love In The Time Of Cholera
(Saranac)


gilevans_CarolFriedman%3Agilevans.com.jpg

​Gil Evans (1912–1988)

(Photo: Carol Friedman/gilevans.com)

The Birth Of Cool: Gil Evans

Among jazzmen, particularly player-writers, Gil Evans is uniquely admired.

“For my taste,” Miles Davis says, “he’s the best. I haven’t heard anything that knocks me out as consistently as he does since I first heard Charlie Parker.”

Coincident with Miles’ recent tribute, Capitol released a few weeks ago the first complete collection of those 1949–’50 Davis combo sides which were to influence deeply one important direction of modern chamber jazz—Birth Of The Cool.

Evans was perhaps the primary background factor in making…






On Sale Now
December 2020
George Benson
Look Inside
Subscribe
Print | Digital | iPad


Special Sections