DB24_Charles_Lloyd_by_Douglas_Mason_at_New_Orleans_Jazz_Fest_copy.jpg

“I don’t focus on the harshness of the music business,” Lloyd says. “I focus on the profundity of what we’re doing because that’s the real stuff. You can change the world with that.”

(Photo: Douglas Mason)

Charles Lloyd: Praise for an Ageless Master

“To get this honor at this late stage, I suppose I’m blessed. I just know that this is a sacred song, and I’m in service, and this is my humble offering to the planet. I…





https://downbeat.com/images/reviews/DB22_10_Miguel_Zenon_Musica_Americas.jpg

Miguel Zenón

Música de Las Américas
(Miel)


Jon Irabagon
Rising Sun
(Irabagast)


Brian Charette
Jackpot
(Cellar Live)


Harish Raghavan
In Tense
(Whirlwind)


https://downbeat.com/images/reviews/allison.jpg

Luther Allison

I Owe It All To You
(Posi-Tone)


Bill Charlap Trio
And Then Again
(Blue Note)


Max Light
Chaotic Neutral
(AGS)


Yelena Eckemoff
Romance Of The Moon
(L & H Production)


AlbertAyler.jpg

Albert Ayler

Albert Ayler: The Truth Is Marching In

In a restaurant-bar in Greenwich Village, tenor saxophonist Albert Ayler was ruminating on the disparity between renown and income. In his case, anyway. Covers of his albums are prominent in the windows of more and more jazz record stores; references to him are increasingly frequent in jazz magazines, here and abroad; a growing number of players are trying to sound like him.

“I’m a new star, according to a magazine in England,” Ayler said, “and I don’t even have fare to England. Record royalties? I never see any. Oh, maybe I’ll get $50…


Growing Up Monk




On Sale Now
September 2024
Jacob Collier
Look Inside
Subscribe
Print | Digital | iPad


Special Sections