NEA_Jazz_Masters_Stanley_Clarke%2C_Billy_Hart%2C_Donald_Harrisonm%2C_Jr_credit_Rick_Swig_copy.jpg

​Newly inducted NEA Jazz Masters Stanley Clarke (left), Billy Hart and Donald Harrison Jr. at SFJAZZ Center on March 31.

(Photo: Courtesy of SFJAZZ)

NEA Inducts 2022 Jazz Masters at SFJAZZ Center Tribute Concert

The National Endowment for the Arts (NEA) formally inducted its four new Jazz Masters on the eve of Jazz Appreciation Month with its first in-person tribute concert in three…





https://downbeat.com/images/reviews/DB22_02_Hot_Box_1_Tues_Days_Bloom_Miller.jpg

Allison Miller/Jane Ira Bloom

Tues Days
(OUTLINE)


Karen Marguth
Until
(OA2)


Nishla Smith
Friends With Monsters
(Whirlwind)


Jake Shimabukuro
Jake & Friends
(Mascot)


https://downbeat.com/images/reviews/Softly_As_In_A_Morning_Sunrise_copy.jpg

Jean-Michel Pilc

Alive–Live at Dièse Onze, Montréal
(Justin Time)



Cécile McLorin Salvant
Ghost Song
(Nonesuch)


Mark Wade Trio
True Stories
(AMP Music & Records)


AlbertAyler.jpg

Albert Ayler

Albert Ayler: The Truth Is Marching In

In a restaurant-bar in Greenwich Village, tenor saxophonist Albert Ayler was ruminating on the disparity between renown and income. In his case, anyway. Covers of his albums are prominent in the windows of more and more jazz record stores; references to him are increasingly frequent in jazz magazines, here and abroad; a growing number of players are trying to sound like him.

“I’m a new star, according to a magazine in England,” Ayler said, “and I don’t even have fare to England. Record royalties? I never see any. Oh, maybe I’ll get $50…


Growing Up Monk




On Sale Now
April 2022
Melissa Aldana
Look Inside
Subscribe
Print | Digital | iPad


Special Sections